double bassist . improviser . composer . songwriter . singer . multi-instrumentalist .musical explorer .

Miles Perkin (b. 1980) A unique voice on the Double Bass, his captivating solo sets juxtapose his clear singing voice against the wild overtones and deep resonances projecting from his bass. He uses a unique combination of conventional, extended and invented techniques along with unconventional tools and re-amping to extract a vast palate of sounds from his bass. Following up on his 2019 quartet release ::The Point In Question:: on Clean Feed Records with Tom Arthurs, Benoit Delbecq and Jim Black, his recently completed solo album ::Subtones:: was released in 2020.

Based in Berlin since 2010, he is an active collaborator on the international music scene, working with musicians such as Michael Attias, Kris Davis, Benoit Delbecq, Johanna Borchert, Simon Jermyn, Jim Black, Jacobien Vlasman, Achim Kaufmann, Craig Taborn, Tobias Delius, Ralph Alessi, Eve Risser, Maciej Obara, Yorgos Dimitriadis, Markus Pesonen, Magda Mayas, Samuel Rohrer, Peter Van Huffel, Kim Myhr and many others. He is also a music maker for Theatre productions in Germany, composing and performing his works live on stage at major theatres such as: Deutsches Theater Berlin, Staatstheater Stuttgart, Theater Bremen, Kammerspiele Munich, Maxim Gorki Theater Berlin, Schaubühne Berlin, and Staatstheater Dresden.


Born and raised on the Canadian prairies, the imagery of the big sky and wide open landscapes have forever permeated his music. It was here that he experienced a unique musical freedom from the very beginning. His father was a teacher, rock and roll guitarist and basically founder of the school of rock in Brandon, Manitoba.

The music room at the school was a musical playground where he would explore everything from instruments in the fully stocked percussion section, to guitars and amplifiers, to a PA system equipped with a full scale mixing console and effects rack. He’d spend hours messing around with everything that was available.

His wish was to follow in his dad’s footsteps and play the guitar, but at 5 years old his hands were still too small. So instead, his first instrument was the drums. Of course, a few year later, he started playing guitar. At the same time, he started singing songs with his guitar and in various local choirs.

While he would continue to dabble with other instruments such as the piano and various brass instruments, his main instruments would remain the drums and guitar until the age of 17 when he discovered the upright bass. The massive instrument was the perfect vehicle for combining the strengths of his diverse skill set. It was the perfect combination of percussiveness and strings, metal and wood, physicality and finesse that he knew he’d found his match.


Perkin moved from Manitoba to Montreal in 1999. While earning a bachelors degree in music from McGill University he performed on nearly a nightly basis in Montreal’s vibrant and diverse music scene. He appeared live and in the studio with artists such as Lhasa de Sela, The Barr Brothers, Jason Sharp, Esmerine, Jorane, Thom Gossage, Chet Doxas, Nicole Lizee, Steve Raegele, Erik Hove, Joe Grass, Philippe Lauzier, Josh Zubot and shared the stage with most of the top jazz and “Musique Actuelle” musicians in the city from Andre White to Jean Derome and almost everyone in between. Before leaving Montreal, he recorded 2 albums of his own music in 2008. ::Aposiopesis:: was his debut solo bass and voice album and ::The Guessing Game:: featured music written for Common Thread: a 6 piece ensemble featuring Erik Hove, Chet Doxas, Sarah Pagé, Joe Grass and Thom Gossage.

After a brief stint in New York City (courtesy of the Canada Council for the arts) studying with bass master Mark Helias, he settled in Berlin, Germany In 2009. He earned a masters degree at the Jazz Institut Berlin under the tutelage of Greg Cohen. He formed the Miles Perkin Quartet in 2011 with British trumpeter Tom Arthurs, French pianist Benoit Delbecq, and Canadian drummer Thom Gossage. The quartet developed a fine and dream-like aesthetic. In 2012 the quartet released and toured their acclaimed album ::Objects In Mirror…:: 

In recent years, while still playing the bass as much as ever, Miles attitude towards music has returned to his free-wheeling beginnings as a multi-instrumentalist. He has been writing songs on various instruments and the 2016 release ::All Mountains:: by the Berlin based, all Canadian power trio Coal Oven is the first evidence of this. He has recently released a collection of self produced songs ::This Old Song:: that can be heard on all digital platforms.

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